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Rate of line fall / DRAG / Definitions
- Subject: Rate of line fall / DRAG / Definitions
- Date: Thu, 04 Jun 2009 12:55:36 -0400
Walter & Group....
From Walter Simberski :
Gordy - the fall rate is dictated by gravity and
terminal velocity. Neither the loop nor the line have
any special abilities to negate these from what I
can see. Tension in the line gives the illusion of
increased hang time but it is an
illusion.
Talking about drag here:
Someone pointed out this excellent paper on
throwing the javelin:
While javelin throwing isn't exactly the same as
casting a fly line there are many
similarities - especially when we look at the
motions of casters like Hartman
and Arden.
A javelin throw starts with as much drag as
possible until the arm is in the most powerful
position to begin rotation about the elbow, wrist,
fingers.
When we look at the speed curves of various body
parts throughout the throw we see
that body parts that are in motion tend to stay in
motion (shamefully stealing from
Newton on that one) throughout the throw. They
reach individual peak speeds at different
points in the throw but they do not come to a
complete stop, they decelerate. In that sense
the translational movements (drag) continue through
to the end of the throw. If we chart
the path of the javelin thrower's hand it will move
in an ellipse - not a perfect circle. So
in that sense as well the translation did not come
to an abrupt halt just because
rotation began.
I believe the same is true for casting. Translation
does not come to a full stop when
rotation begins. I think the confusion is that we
have different words for translational
elements of the cast but not for the rotational
elements. So, by defining drag as
the translation leading up to rotation we can
certainly say that drag ends when rotation
begins because we have defined it that way. That
doesn't mean that translation came
to an abrupt halt - it just means that the drag
phase ended.
I prefer the view you stated:
"My way of looking at it is that translation
can be pure linear motion or any linear motion of the fly rod whether or not
combined with rotation."
Gordy - on the skin drag/form drag thing - the
Gatti-Bono/Perkins paper estimated the lift
for a climbing loop shape to be about 4 times
that of a symmetric loop shape and this was
due to form drag.
There is a saying in mathematics - 4 times
a very small number is a very
small number. Even if lift due to form drag is
measurable I don't think it's going to be significant.
Chase is to be commended for his work. He's
addressed a complicated issue with simple and
inexpensive experimentation.
Cheers!
Walter
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Walter... I thoroughly agree
on commending Chase for his study ! We need more instructors who are good
at taking the complicated stuff and making it simple.
Looking at "small numbers" and
considering means and extremes...... 4 times Zero is ZER0
..
With all this in mind, let's invoke the
KISS PRINCIPLE:
LIFT OF THE FLY LINE DUE TO LOOP SHAPE
IS NOT IMPORTANT TO THE CASTER.
Gordy
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DEFINITIONS
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From Jim
Penrod:
Hi Gordy,
I noted in Paul Arden's sexy loops, I think
that it was June 1 or 2 but is available under comments by Paul on Definitions,
that he gives his definitions of drag and slide. I thought that they were quite
good and made sense. Take a look and see what you
think.
Spent five days in N.C. last week fishing the
Nantahala and the Tuckasegee and camping. Caught a lot of fish and had a great
time. Wow, I even got some nymphing (which for a saltwater fisherman is
exciting) although I enjoy the rise and take with dries.
Jim
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Jim....
Paul's definitions show good thought
process. Basically, I agree with his on DRAG.
As I stated, yesterday, I look at SLIDE as a
sliding movement of the fly line through the guides prior to loop
formation.
Problem with definitions is the concept of
acceptance and agreement. As things stand at present, it seems that one
man's definition is as good as another's until we achieve general agreement or,
better yet, consensus. Until we have that, "definitions" are
opinions.
Dictionaries including Websters as well as the
O.E.D. often have numerous definitions for a single word. They base them
on the most frequent use in past literature and
conversation.
Webster's on DEFINITION: 1.
The act of defining or making definite, distinct, or
clear.
2. The formal statement of the meaning or significance of a
word, phrase, etc.
One can use various words to make things
distinct or clear. The use of the word, "formal" implies agreement.
Agreement or consensus may be that of few or many. The more who agree, the
more likely any definition is to achieve common usage.
During my tenure as chair of the CBOG Glossary
Committee I read Simon Winchester's book, THE PROFESSOR AND THE MADMAN: A
tail of murder, insanity and the making of the Oxford English
Dictionary. Bruce Richards is chair of our committee
at present and I remain a very active member. After reading this book, I
recommended to Bruce that each committee member read it. He
agreed.
Lots to be learned !
Gordy
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