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Pain when casting
- Subject: Pain when casting
- Date: Mon, 27 Oct 2008 15:59:22 -0400
Walter & Group.........
Let's start with a note from John Bilotta:
Gordy,
I am glad we are
discussing this topic because I think arm pain is also an issue that some
students suffer from but they are sometimes reluctant to talk
about.
From my
experience some students, particularly in a group, are often reluctant to
discuss or I have not probably asked them enough health-related questions before
teaching a class. Recently I been raising the issue about hand/wrist/arm
shoulder pain as side-bar of my beginning discussion about types of grips we can
use in casting. The advice below was very helpful.
Thanks
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
John
New casters and CCI (not MCCI) candidates are, in my experience, especially
prone to get hand and wrist pain for the simple reason that they tend to grip
the rod handle throughout the entire cast rather than relaxing a bit when not
rapidly accelerating to a stop.
Gordy
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Gary Eaton has taken great pains to come up with a very detailed note on this
subject :-
Gordy,
This issue became a major topic at an advanced casting half day
session with Tim Rajeff three weeks ago.
Here are some elements of that exchange.
All motion change is grounded at one's
center-of-gravity (center-of-mass). When standing it is midway along a line
through the top of one's hips (femur/greater trochanter, for anatomists). If you sit to
cast, that changes. Contorted stances may also change the precise location. When
one attempts to initiate or change movement contrary to what is going on
there, a bigger force is required. More force, more speed, more repetitions
without recovery time and more drastic changes in rate increase potential for
injury. The body part at least optimal position or with the smallest mass
presents as with higher vulnerability. Parts with highest mobility (joints) and
their attachments serve as "weakest links" to fatigue, overload and repetitive
strain. Sites of previous injury, especially if poorly rehabilitated, tend to be
sentinel of new increases in force leading to re-injury or aggravation of prior
sites.
Physiologic structures with better blood supply (muscles over ligaments)
tend to recover easier from less than catastrophic injuries. Less vascular
structures tend to take longer and recover less completely (lateral epicondylitis aka "tennis elbow" being a
particularly enduring symptom). From this it seems logical to act for prevention
and focus on 1) increasing injury resistance in joints and their attachments 2)
moderation of force, duration, speed, and aggressivity of activity and 3) provide biomechanically less risky casting styles and
style corrections.
Tim asked what modifications or recommendations I had for conditioning
exercises for him after he shared his routine exercises. Reserving my comments
to a general nature I suggested-
1) increase hand and wrist strength with a "roll-up" devise. A closet dowel
1.25 inches in diameter taped with a cushioning tread such as used on tennis
racket handles or sticky back foam insulation. Roll-up and roll back down under
very controlled pace a 2.5 to 5.0 pound weight on a rope. rest the wrist on the
knee and perform one up and down rep with palms up, one with palms down, one
with one palm up and one palm down, then opposite palm up and down. Repeat
with the first knuckle (MCP) held
against the top of the knee.
2) increase elbow and shoulder stability and control with very slow paced
push-ups and bar-dips (pushing up and lowering from a chair with solid arm
rests).
NOTE - I suggested no conditioning exercises with the arm raised
or with the shoulder in an extremely abducted position.
I differentiated conditioning as not with the device (fly
rod) and training as that activity performed while operating the actual
tool. Along the lines of training I suggest - a heavier line weight and longer
amount of line with a stiffer rod or higher line weighted rod as a strength
building option BUT only for a limited number or repetitions. To reduce
risk of injury go up only one or two line weights at a time and limit the length
of line carried and duration of activity very severely - pain equals injury
in training. Pain after conditioning may be acceptable as long there is no
increase in pain with the training. If something is sore at the beginning of a
training session and increases with the activity - do not proceed.
If building a skill such accuracy or presentation casts, increasing
refinement with a lighter line and rod outfit may allow longer skill-building
sessions with less chance of injury. One can overdo anything so this is not a
guarantee of injury-free training.
From a researchers seminal work on muscle strength and decline, I
recalled that it takes working a muscle to the point of fatigue once daily for
six weeks to double the strength and that completely immobilizing a muscle
allows decline of one percent approximately every 3 days. Daily training is not
essential to prevent loss of strength. A week off, or more, may put you at
risk of injury if you are too aggressive on your first few days of return to
training.
Regarding "tennis elbow" - back cast stops with the wrist not in neutral
position, especially with the reel turned away from the caster, is my pet peeve
and commonly observed source of lateral elbow pain. Likewise sidearm
casters are at more risk for this injury than when casting more overhead.
The following summarises some basic principles. I submitted it
to another study group a few years ago -
There is tremendous specialized strength & essential general conditioning
involved in casting a fly.
Generally, the intuitive truth is also practically
true.
Heavier gear, longer lines,
presence of wind, larger fly profile etc. require more strength to control than
lighter, smaller, shorter versions. I submitted an article on these very issues
to sexyloops for publication a couple of months ago but it has not been returned
for edit. So, I will recap here.
Initiation of movement after the pause and
initiation of stop after maximizing momentum require the greatest muscle
strength. The highest requirements from my clinical & instructor observation
appear to be in the trunk and hand/forearm of the rod hand. Second tier strength
also fall on the rod side including anterior (front) and superior (top) of the
shoulder & the upper arm into the elbow. No surprises there, I
hope.
The stop originates primarily at the center of gravity (think
behind and below your belly button) and spreads both toward your knees and
toward your neck. The resistance of ongoing momentum comes largely from hand
grip strength from the forearm acting to stabilize the rod. (screw driver work,
grip ball, and putting 2 to 5 pounds on a rope attached to a closet dowel and
wind-it-up and down under slow control - good hand strength
exercises).
The strengthening of the
center of gravity includes controlling whole body by initiating motion and
maintaining control. The popular "Swiss ball" and other "core-strengthening"
work should be the first focus. Stuff like sit ups, leg lifts, squats, and
martial arts typically provide development of this core.
It
generally takes 6 weeks of daily working a muscle to exhaustion to double
strength. It generally decreases strength to immobilize a muscle and there is a
formula for the rate that really is not an issue unless you're in a fracture
cast.
RECOVERY RATES -
Age creates a slower
recovery rate from exhaustive conditioning or injury. Other things that slow the
recovery rate are smoking, nutritional deficiency, re-injury, inadequate healing
time. Things that may enhance recovery are aerobic fitness, adequate rest,
nutrition and blood flow, stretching and proper warm-up and
warm-down.
INJURY
PREVENTION -
Avoid maximum performance for prolonged periods.
Build-up to the heavier, longer, & faster demand equipment and
techniques.
Slow down - rapid repetition results in more fatigue, less control and a more
likely adverse biomechanical demand that
leads to significant injury (see recovery rate).
A PLAN -
Stretch when warm.
Don't start without a warm
up.
Stay fit in every way. Walking and running to elevate heart rate (Search
for "Talk Test" for a practical guideline) is the simplest aerobic
method.
Plan way ahead - 10 weeks minimum before your salt water trip
introduce the 7 weight and be ready to get the nine weight involved in 3 or 4
weeks.
Go Slow - if you develop a pain that does not recover by the next day,
back-off a little or skip the rod work and go for a longer walk that day.
The
best training is with the actual device but that doesn't mean it's complete
training.
Use a larger rod grip - it requires less grip power - I like a Full Wells for
this reason.
Use a lighter rod - I like companies that
offer a full line of rods- The greater
costs seem to follow the lighter weight
but, I tolerate the lighter units for a longer
time.
Use a shorter carry and longer
shoot - easier to control the
momentum.
Avoid longer levers for
longer line carry - the 10-foot rod has a
moment-arm and much greater swing-weight
than the eight and a half of the same weight and line
designation.
(Caveat is that for a much lighter line weight, the
lever advantage of the longer rod may
require less effort.)
Accept your
limits - I have a few extra
bone pieces in my casting shoulder. I will not be
competitive in a five-weight contest
& choose a nine weight over 10 or 11 on the
flats.
I hope this is useful to you. I will
be glad to answer specific questions. Gary Eaton
Regarding Seated Casting
-
You make an
excellent point. Jack LaLanne <http://www.jacklalanne.com/,> , the fitness guru, told me one time that changing your entire
routine every six weeks was essential to balancing joint forces as an injury
avoidance mechanism. The seated casting recommendation fits that same
challenge.
HALF THE AVAILABLE STRENGTH -
One
reduces their power base by half when going from standing to sitting for the
cast. The legs and pelvis probably account for close to 50% of the muscle mass
and energy consumption of standing casting at the stop and start around RSP. I
use the same theory doing "half rod" drills; no more than half as long, less
than half the distance.
TRY NOT TO HURT YOUR STUDENTS
-
A very important caution is to go to a lighter line weight and shorter
cast distance when making this transition (stand -> sit) to prevent overload
injury. I would also caution that reducing the time that one is performing
seated casting is important to reduce fatigue related biomechanical
failures.
The glycogen (sugars = energy) storage of a muscle is related to
it's mass. The above-the-diaphragm muscles are generally much smaller than those
below the diaphragm (base of the rib cage). Therefore, they fatigue faster and
develop lower energy with lower available oxygen faster. When they shift to this
less aerobic (more anaerobic) energy source, sustained activity becomes more
time limited. The slightly more acidic products (lactic acid) of anaerobic
metabolism also create a less favorable internal environment for connective
tissue recovery, especially tendons and ligaments. The longer anaerobic activity
is sustained, the greater the risk of tissue damage, generally
speaking.
HOW LONG A BREAK -A
second caution for all instructors is that upper body & arm repetition,
aerobic activity causes greater increases in blood pressure than whole body
activity over the same time. This could be an issue if your student has known
heart or blood vessel disease, including high blood pressure or stroke. My
instructor rule-of-thumb is to break for twice as long as we worked before
starting another activity. This gives me time to demonstrate, describe theory
and technique and discuss application of techniques to real fishing situations.
If you need a longer break, try practicing tying knots, demonstrating different
rod actions or go through your fly box, watch a video, etc. Give your students
permission to take their own break if they feel fatigue, pain or less
control.
DECIDING WHEN TO BREAK
-
When I see students stop casting and shake their arm, stretch,
or move the rod out of their casting hand, I start looking for a reason to have
everyone stop. I have students put their rods down during this phase so they can
pay attention and truly rest their grips. This is easy but, a better method is
to watch for the casting loops to deteriorate. I like this better because a
shorter break is involved and they have fewer repetitions with bad mechanics and
less reinforcement of incorrect "muscle memory".
(An ounce of prevention is worth a
pound of cure).
RESUMING CASTING AFTER A LONG
BREAK -
Start short and slow for a few casts then, start the new
activity.
Stretching is much more effective at preventing injury if done in a
sustained fashion after warming-up. As an example-
"That video was a pretty
good clip, I think. Everyone
try to get 7 perfect loops at
35 feet then set your rod down."
"Great! Gary, you can stop
now. Good Effort!"
"Some of those loops were
perfect and everyone is
improving."
"Let's stretch
together. Put you casting hand behind
your head, grab your casting hand with your line hand
and apply a little pressure toward you
line hand side and breath in and out for
ten full
breaths."
"Great! Now go the
other way."
"Good! Now
press your fingertips together and
make your palms touch bring
them over your head, point your
fingertips back and then bring your
thumbs slowly down the middle of your
face to your belt and back up to your
chin." "Good! Pick up your
rods and let's do something new." -
Resume the lesson. Maybe
seated?
---
(To A specific member)
You
have very good sense and
rational approach. This just
gives rationale to your method. As I said
in my first post on this subject - the intuitive truth
is also practically true. It is very practical not to take
students into discomfort, if you
want repeat business or recommendations
for your services.
Group classes
give you some authority to keep
everyone paced properly. I greatly
enjoy giving individual
lessons and that is what I provide over 90% of the
time.
The dynamicindividual student often
makes very specific demands.
If they are type A, have a trip
looming or are a little impulsive; there can be
trouble.
For this reason and to give breaks, I
have some favored video
clips to have them watch. I
stop them to tie on a new
piece of yarn and sometimes that
knot takes 4 or 5 minutes.
I have even "accidentally"
clipped the leader to force appropriate
rest.
I often appear without a rod so I can
"borrow" my student's gear to
show a skill (another enforced
break).
I may have them try it with a rod
carrying "more visible" line (orange,
chartreuse or white, for example).
It takes a few minutes to rig the reel
spool & re-string the rod.
I
have never had anyone go away
saying they learned less than "a
lot". I never had anyone
tell me they didn't
have some fun or find something to
laugh about. I think people
are wonderfully special and become more
interesting as they learn to fly
fish.
That is pretty long for
now-
Gary
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
As an orthopaedic sugeon, I find your advice sterling ! Often,
we've had patients upon whom we were almost ready to recommend elbow, wrist or
shoulder surgery when our more conservative methods such as some you outlined
above plus time served well allowing us to avoid operation.
Most of these "injuries" are not from one incident or even a moderate
number of repetitions, but are inflammatory or sprain patterns from rapid,
repetitive, or too forceful applications of power ..... or a
combination. Even when rotator shoulder cuff tears occur, we find they
usually are of varying severity and are "atretic" tears which means a sort of
wearing out and fraying of the tendons. Few represent tendons / cuffs or
muscular attachments which are literally ripped asunder ..... so most do not
require surgical repair.
All this is getting closer and closer to Ally Gowans' concept of
efficient fly castinng being best performed according to ergonomic
principles. (Do it as easily as you can using methods which don't overtax
your muscles.)
These messages should take plenty of time to study and "digest".
For that reason, I'll wait to come in with another detailed message from Guy
Manning on the relationship between painful arms and casting style.
Gordy