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Line hand / rod hand balance
- Subject: Line hand / rod hand balance
- Date: Sat, 19 Aug 2006 17:40:26 -0400
Walter & Group....
From Jerry to his student:
Remember the word balance and teamwork between line hand and rod
hand. Similar to the long bow you shoot, the right hand has to match the
left hand in power and timing application as you draw and shoot. What
do you think Gordy?
I am very delighted to see your progress, you have just gotten started my
friend, and some of that 230 foot javelin throw you had as a youth will come to
your aid.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Jerry,
I agree. With repect to distance casting with the use of the
haul, I see great advantage in the haul motion of the line hand being
a sort of mirror image of what is going on with the rod . I see it as a
matching of the line hand motion with respect to timing as well as
excursion. To put it simply, LONG CAST/LONG HAUL....SHORT CAST/SHORT
HAUL.
This is at variance with what has been taught by Lefty Kreh for
years. He wrote that a short fast haul at the end of the casting stroke
was best. Later communication with him, however, tells me that he's
modifying his former position on that issue when considering distance
casting.
It goes further than that, however. If we elect to mirror image the
timing as well, then we have, RAPID TIP SPEED/RAPID HAUL. I'd add to that,
that it appears to be more efficient to have the point of maximum acceleration
of the haul come close to matching that of the rod.
Where you stop the haul with relation to the, "almost stop" of the rod hand
while false casting is still in debate. Where you release the line with the line
hand in relation to the "stop" of the rod hand is more important, according to
Steve Rajeff. Some feel that it should be very close to the time of the
stop if not a split second afterward. I don't have a firm answer to that
question.
As I ponder these things, I wonder if we are really discussing some
VARIABLES which will change with different casters and different casting
situations. If so, we may be drifting into elements of style.
Gordy