Walter & Group....
I WILL BE AWAY FROM MY MAILLIST CONTROLLER AND THE STUDY GROUP UNTIL OCTOBER 20TH.
(I'll be visiting my family on Long Island and fishing the Fall striped bass run at Montauk.)
Gordy
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
From Bill Kessler:
I am a little confused about the roll cast issues on the test. It seems to me the distinguishing characteristic of a roll cast vs a switch cast is the static nature of the roll cast . Since the test is taken in a variety of circumstances often without water the anchor of a double hand type cast is often questionable. If the grass or surface is nice (smooth) the roll cast is relatively easy to perform, if not the line can tangle in the grass etc. making it difficult and the switch cast is even more difficult. When performing the switch or any other double hand cast, utilizing a standard 8 to 9 foot rod, without water the motions can be made but there is no standard anchor and the approximation even though visually similar really leaves out a significant issue for all double hand casting namely the proper anchor. Using two hands on the rod and a 13 to 17 foot rod makes for a very different skill set than performing the task with a standard 8 to 9 foot rod.
From Will Turek :
Gordy,
I would argue that a switch cast is indeed a roll cast. If we follow
the spirit of the MCI exam, and adhere to the principle of parsimony,
we can define a roll cast as any cast that loads the rod on the
backcast with a loop of line formed underneath the rod tip and is held
in place by the remainder of the line anchored to the surface of the
water.
Is the switch cast dynamic? Not by your definition, which is
contingent on the criteria that there is no stop before the forward
cast. In fact, the longer the line being switch cast, the longer the
pause will be before the forward casting stroke. I think your emphasis
on the no stop of the rod before the forward casting stroke is
misplaced. The LINE is not stopping, once it touches you go. The
caster very may well have to pause (stop) to allow a greater length of
line to travel under the tip and touch down before the forward stroke.
I would say the criteria for a "dynamic" roll cast is one in which the
line is constantly moving. By that definition, the switch cast is
indeed a dynamic roll cast.
Further, the method by which the size, shape and speed of the d-loop
is formed does not effect the essence of the cast - as long as a d-
loop and anchor exists it is a roll cast by definition (mine that is).
Method DOES effect the efficiency of the cast. In addition, a
particular method of forming the D-loop may be contingent upon a
desired outcome. Ex. Bigger D-loop in the shape of a V would be a
preferred and efficient means of casting distance.
Last, the name "switch" cast is in itself an impediment. What is being
"switched"? Is not an overhead and roll cast, or for that matter any
cast that has a backcast 180 degrees opposite the forward cast, a
"switch" cast? If I'm forced to choose, I prefer forward cast. When
teaching, the visual created by naming the action serves to reinforce
the action itself. Also, using one term reduces distraction, that is
the necessity to distinguish between two terms for the same action,
switch and forward, used in different contexts. Third, the continuity
of use makes it is easier for students to generalize the action
incorporating it into the context of an entire sequence of actions
that comprise a spey cast.
Elliptical, lift... why is it that as instructors we actively seek to
impose qualifications where they are unwarranted? In that respect, I
would have to agree with your friend when he says, "I don't care what
you call it, just do it."
W
-------------------------
Will Turek
6165 Stow Road
Hudson, Ohio 44236
Great Lakes Guide N' Travel
Midwest Spey School
www.midwestspey.comSteelhead Alley Outfitters
www.steelheadalleyoutfitters.comCell 330.807.4828
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Will.....
First let me applaud your position as an instructor who actually thinks deeply about casting parameters. Our very best teachers do just that.
When coming up with definitions it is almost as though we are finalizing composite opinion with rock solid consensus. I have come to the conclusion after spending three years on the FFF CBOG Glossary committee including a stint as interim chairman, that this is close to impossible. So, now, I'm starting to think in terms.... not of definitions as written in stone on the mount, but descriptions or, better yet, working definitions . Those which are simple to understand and reasonably accurate though perhaps not fully in accord with the disciplines of science. Those which are sufficiently pliable as to be easy to refine as casting knowledge advances.
I read a description of the writing of the Oxford English Dictionary which took almost a lifetime. Their "committee" adopted a method of deriving definitions on the basis of many years of common use in the literature.
With that in mind, I'm glad you used the terms, "....we can define", "...your definition" and "If I'm forced to choose". This indicates to me that you know exactly what I mean.
On the issue of the term STOP. I should have stated that I meant the "stop" of the static back cast D-loop.
Frankly, I think your "definitions" have merit.
I like your last sentence.
Having said all that, I realize that we need some commonality of working definitions or descriptions for the purpose of intelligent conversation as well as for use on casting exams.
As I understand it, the members of the MCCI Testing Committee have chosen to use the working definitions offered by the Two Handed Casting Instructor Committee headed by Al Buhr.
Gordy
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
From Al Buhr:
Will this help? Definitions for Roll and
Switch approved by the THCI com.
Key points underlined:
This has been discussed in the Master
committee,,, as well in the Monday Master
workshop..
Al
Roll
Cast
A cast made by
the rod dragging the line back to form a shallow D-loop with the fore
cast having an aerial forward loop. Effective to remove slack or raise a
sunken line to the surface, prior to starting a cast.
Switch
Cast
A cast with no change of
direction; formed by lifting and sweeping the line back above the surface
and repositioning to an
energized
D-loop, followed by an aerial
forward loop. This is an essential cast for learning lift
movements, anchor points and energized D-loop formations.
Single Spey
Cast
A change-of-direction cast that repositions the fly and
D-loop to the upstream side of the caster in a continuous motion, and safe to
use with an upstream wind.
How Instructors Practice
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
From Troy Miller :
Wow, now I REALLY feel
guilty. To be brutally honest, I almost never practice, in the sense y?all
are describing below. My practice usually
involves:
Teaching, whether
groups or 1-on-1 at the beginner, intermediate, or advanced level. As you
noted Gordy, I learn most of my very most effective teaching techniques while
instructing. Occasionally I even learn something profoundly new about
flycasting itself. There?s always a reward if you consciously look for
it.
Typing messages such as
these on various forums and mail lists. This forces you to formulate your
thoughts with utter and direct clarity, which will help you later when you?re
teaching/presenting.
I also practice a bit
when I?m trying out a new rod, to see what it is capable of (in my hands, I know
it may be capable of much more in other hands?)
Mainly, I practice by
going flyfishing. This is where I develop and maintain my skill. I?m
highly motivated by the activity of fishing; I would never be interested in
casting for the pure sake of casting. That?s just not me. With all
respect to those who do love to cast for casting sake and have no desire to
fish. To each, her/his own.
Not a very structured
practice program, I know, but it?s me? J
Regards,
Troy
Miller
Baker Oil
Tools
281-638-0176
cell
Troy.....
No guilt trip needed, here !
The key statement in your message is, "This is where I develop and maintain my skill ".
We've all heard statements to the effect that when we fish, we are not really practicing. I take issue with that, and I see you do so as well.
Granted, when a fish is spotted and I'm about to make the presentation, I just "do it" without thinking much about the mechanics of my cast unless there is an especially difficult method required. The fish has my attention most of the time.
If I've made a bad presentation and fail the hookup, I try to figure out just what went wrong and try to do it differently even pretending that the fish is still there. That is practice.
In between bone-fide presentations, especially when opportunities are widely spaced I practice casts with a purpose in mind with each and every one. That is practice.
While trying to do better with my "other hand" casting, I'll often make mock presentations that way. Once in a while, I'll even catch a fish when doing that. This also gives me practice retrieving and fighting fish using the non-dominent hand.
Now back when I was preparing for the MCCI exam, I realized that this simply wasn't nearly enough..... but for maintaining our proficiency, practice when fishing is one way of doing it.
Gordy