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  • MCCI PREP EXAM II



    Walter & Group............

    This is the second series of Q&A with comments: -

    Master Instructor Certification Test
    Study Guide

     

    Oral Test  (REPRESENTATIVE ... NOT ACTUAL QUESTIONS)


    Appendix A - Representative Questions - Teaching

    Teaching ability and experience - includes demonstration of teaching methodology and analysis of casting errors.

    · What are the principle roles of a good instructor?

    Answer:  Teacher, Coach, Leader, Cheerleader 

    GOOD SHORT ANSWER.

     BE CERTAIN TO READ THE MASTER STUDY GUIDE ON THE ATTRIBUTES OF A GOOD INSTRUCTOR FOR A LOT MORE DETAIL. 

    · How would you explain to a student the relationship of the length of the line being cast to the stroke length and haul length?

    Answer: Short Cast / Short Stroke / Short Haul, Long Cast / Long Stroke / Long Haul   GOOD SHORT ANSWER.  BE READY TO GO IN TO MORE DETAIL IF ASKED.  ON THE LENGTH OF THE HAUL, YOU SHOULD BE FAMILIAR WITH THE CONCEPT OF THE LENGTH AND POWER APPLICATION TO THE HAUL BEING AN ALMOST MIRROR IMAGE OF THAT OF THE FLY ROD. 

    · Describe how you teach the roll cast.

    Answer: Explain the purpose of the cast and its uses.  The cast is a 2 part cast with the parts somewhat disconnected.

    1st The Backcast – the objective is to place all of the line except for the last foot or so of fly line behind the caster in a large D-loop with the line aligned with the rod of the caster at 1800 from the target.  Do so slowly by lifting rod arm with the rod parallel to the water, once the line begins to slide towards the caster, lift the rod tip (rotation) until the rod is at about 1:00 and then lift the elbow until the line slides into place. 

    WORKS ... BUT TO HAVE THE STUDENT ABLE TO RELATE TO A REAL FISHING SITUATION, BEST DONE ON WATER WITH THE FLY ABOUT 1 TO 1 1/2 ROD LENGTHS IN FRONT OF HIM/HER, HOWEVER CAN WELL BE DONE ON GRASS, TOO.  I'D PREFER NO REFERENCE TO THE CLOCK FACE. THE IDEA (AS I SEE IT) IS THAT YOU MUST TEACH THAT THE ROD SHOULD BE POSITIONED SO THE LINE HANGING DOWN FROM THE TIP IS BEHIND THE CASTER.  ALSO, THAT THE ROD SHOULD BE IN AT LEAST A SLIGHTLY OFF VERTICAL ROD PLANE.  YOUR DESCRIPTION OF LIFTING THE ELBOW IS ONE WAY OF DOING IT, BUT THAT GETS IN TO STYLE. 

    2nd The Forward Cast – is a standard forward cast with special attention paid to the application of power.  No power should be applied before the rod is vertical (midnight) with a significant application of power at the end of the cast.  It helps to extend the rod hand towards the target in the beginning of the casting stroke so that the line is moving in the direction of the cast before the power snap is applied.   YES. I LIKE TO EMPHASIZE, AS LEARNED FROM TOM WHITE, TO THE STUDENT:  "YOU ARE NOW ABOUT TO MAKE A STANDARD FORWARD CAST."

    Use – To raise a sinking line or weighted fly or when there is limited space to back cast.   MANY USES.  CERTAINLY NOT LIMITED TO SINKING LINES AND/OR WEIGHTED FLIES.  CHECK THIS OUT. 

    · What are the attributes of a good instructor?  YES.   

    Answer: To motivate your students to become better casters / fishermen through effective communication (visual, auditory and kinesthetic) to understand in improve there casting and enjoyment of the sport.

    Attributes: Knowledgeable, Organized, Enthusiastic, Flexible, A Leader, Fun, Good Listener, Liberal with Praise and Willing to Learn.

      YES.

    · What characteristics do poor instructors exhibit?

    Answer: Egotistical, Disorganized, Inflexible, Negative, Inconsiderate, Impatient, Know it all.    YES. 

    · How do you teach? What is your teaching methodology?

    Answer: I try to provide an open friendly environment for all to learn.  I attempt to be encouraging while stimulating a drive to improve, but overall to remember this should be fun.  Everyone should progress at a rate appropriate for them and see personal results rather than be competitive.  In addition, to instruction, I try to give them time for self discovery by allowing them time to practice without comment when possible.   GOOD.  BE PREPARED TO BE ASKED TO GO INTO SPECIFICS AND MORE DETAIL. 

    · What communication methods do you use with your students?


    Answer: Auditory, Visual, and Kinesthetic    

    MIGHT ADD A FOURTH:  COGNITIVE .  THIS DESCRIBES THE STUDENT WHO LEARNS BEST BY THINKING AND FIGURING THINGS OUT .... SCIENTIFIC OR ENGINEERING FOLKS, ETC. 

    · What methodology do you use for curing casting problems?


    Answer: I like Bruce Richards 6 Step Method – Line, Rod, Body then Body, Rod, Line   BE PREPARED FOR THIS (GOOD) ANSWER TO LEAD YOU IN TO THE NEED TO EXPLAIN OTHER METHODS .... SUCH AS ED JAWOROWSKI'S METHOD ( TROUBLESHOOTING THE CAST, ED JAWOROWSKI.  ) 

    · When would you use a kinesthetic (hands-on) approach to cure a problem?

    Answer: When my explanations and demonstrations do not work, or there is a lack of time.

    · You have one student who has never cast before and you have only 5 minutes to teach him/her. What is your approach?

    Answer: Kinesthetic   WELL..... THAT IS ONE APPROACH.  SEVERAL WAYS OF DOING THIS.  BE SURE, IF ASKED TO DEMONSTRATE THIS TO AN EXAMINER WHO IS TAKING THE PART OF THE STUDENT, THAT YOU TAKE VERY LITTLE OF THIS PRECIOUS 5 MINUTES TO DEMONSTRATE.  DO ALMOST ALL OF YOUR INSTRUCTION WITH THE FLY ROD IN THE STUDENT'S HAND ! 

    · You have 6 students and 1 hour. Please outline your approach.

    Answer: Assuming a class of beginners or near beginners, I would demonstrate a few false casts and then explain that a Fly Rod is simply a flexible lever which can only do two things bend and straiten.  Then explain that the way to perform a strait line cast is to follow the 5 Essentials.  Next I would perform some ground loops and have the students begin performing them with 20 to 25 feet of line outside the rod tip.  I would have them concentrate on accelerating to a crisp stop, dropping the line to the ground after each stroke forward and backward.  Next I would concentrate on an appropriate stroke length and arc.  Once they have begun to get comfortable I would have them put the strokes together and work on timing.  After they start to get comfortable or frustrated I will stop them and explain several different styles of casting, strengths and weaknesses of those styles and grips.  Next we would work on the pick-up and lay-down cast forward, backward and together.  Often with rank beginners I have trouble getting much farther.  I usually have the casters practice above while holding the line with their rod hand only.  If they are doing well I will get them to use their line hand to hold the line and concentrate on not allowing slack to form between the rod hand and the first guide.  Then we will work on shooting line. 

       BEFORE YOUR EXAM, CONTRACT THIS DOWN TO OUTLINE FORM AS A LESSON PLAN.  ALSO, BE READY TO PRESENT YOUR OWN LESSON PLANS FOR THE CLASSES YOU HAVE ACTUALLY BEEN TEACHING IN SIMPLE OUTLINE FORM.

    IF YOU CAN GET THEM TO SHOOT LINE IN ONLY ONE HOUR, YOU ARE DOING WELL.  BE PREPARED TO ANSWER QUESTIONS LIKE:  "WHEN DO YOU TEACH THEM A ROLL CAST ?"  OR : " YOUR STUDENTS ARE STANDING, ROD IN HAND, WITH A PILE OF LINE ON THE GROUND IN FRONT OF THEM.  WHAT DO YOU DO NEXT ?"

    EXPECT THAT MANY QUESTIONS WILL FOLLOW.  THESE WILL BE DESIGNED TO BE ANSWERED PROPERLY ONLY IF YOU REALLY HAVE HAD EXTENSIVE ACTUAL TEACHING EXPERIENCE.  ONE OF THE PRINCIPLE REASONS FOR FAILURE ON THE MCCI EXAM HAS BEEN LACK OF THIS ACTUAL TEACHING EXPERIENCE.  ALL ON THE CBOG AGREED WITH THIS ! 

    · You have 10 students and an afternoon to teach them. Outline your approach. How much time would you give to each part of your outline?

    Answer: Start same as above.  Work on casting to targets, false casting and casting on multiple planes.  Then I would work on the single and double haul.  I would then work on the roll cast and finish with more work on false casting and the double haul. 

    GIVEN ONLY ONE AFTERNOON, YOU MAY BE CHALLENGED ON YOUR REASONING BEHIND THE TEACHING OF THE DOUBLE HAUL SO SOON.

    · Describe how you teach the double haul.

    Answer: Describe the reason for the double haul using Dusty’s demo with the student holding the line.  Pantomime, pantomime with a rubber band.  Using approximately 30 ft of line single haul forward, drop turn straiten out the line and repeat.  Single haul back cast the same as forward.  False cast with a single haul forward, same backwards then together and shoot line.

    · Your student wants to cast for distance. What do you tell the student to do to achieve distance?

    Answer: Concentrate on tight loops and high line speed.  Work on efficient double hauls and shooting line.  When practicing work on carrying more and more line efficiently. 

      GOOD SHORT ANSWER.

    IF ASKED FOR MORE, YOU WILL NEED A LOT MORE DETAIL, HERE TO ANSWER THE LIKELY FOLLOW-UP QUESTIONS.  BEST WAY, I THINK, IS TO CAREFULLY STUDY BILL GAMMEL'S METHOD ..  HIS VIDEO, "TEACHING YOURSELF TO FLY CAST" GOES A LONG WAY TOWARD PROVIDING ANSWERS.  IF YOU GET THE CHANCE, TAKE JEFF WAGNER'S WORKSHOP ON DISTANCE CASTING. 

    · Your student has listened to your explanation of application of power but doesn't seem to understand. What would you do differently to get the message across?

    Answer: Kinesthetic and casting together.   HERE, YOU NEED SEVERAL THINGS FOR YOUR BAG OF TRICKS. AN EXAMPLE:

    WITH THIS STUDENT, ONE METHOD WHICH WORKS FOR ME, IS TO TEACH SMOOTH APPLICATION OF POWER BY HAVING HIM/HER PLACE THE FLYLINE OUT ON THE WATER AND TRY TO MAKE A SMOOTH, CONTROLLED PICK UP WITHOUT DISTURBING THE WATER ANY MORE THAN NECESSARY.  THEN I LAY THE LINE ON THE WATER, HAVE THE STUDENT FACE THE OTHER WAY AND REPEATEDLY DO THE SAME THING.  ONLY WHEN THIS IS MASTERED TO I HAVE THE CASTER GO, "AIRBORNE" AND DO IT WITH FALSE CASTING.  THIS HELPS ME TEACH SMOOTH APPLICATION OF POWER.

    · Your new student's back cast lacks adequate speed and is directed downward. How do you tell the student to fix these problems?

    Answer: First fix the speed problem – move faster, apply more power / quicker stroke.  Then fix the downward direction, stiffen wrist, stop sooner / higher.  Demonstrate.   YOU NEED SEVERAL MORE METHODS IN YOUR, "BAG OF TRICKS".  A COUPLE OF EXAMPLES:  1. HAVE THE STUDENT SQUEEZE THE THUMB AND FOREFINGER TOGETHER IN A, "PINCH" AT THE END OF THE BACK CAST.   2. TRY THE STUDENT WITH A BORGER 3 POINT GRIP.  3. ONE I LIKE, IS TO HAVE THE STUDENT WATCH THE BACK CAST AND TRY TO AIM IT AT A CLOUD, A TREE, OR A ROOF BEHIND.  4. HAVE THE STUDENT CAST WITH A BERM OR A WALL OR DUNE BEHIND. ....EXPLAIN AND DEMO THE, "OUT-OF-CONTROL-WRIST" ........ MANY OTHERS.

       GORDY