Walter & Group.........
From Jim Valle:-
Gordy &
Group,
Just returned home form
the Conclave and
Conclave was as
always Terrific!
Truly about the people.
Gordy, Dennis Grant and
I taught a lot and learned from each other.
Met Ally Gowan (MCI,
THCI, etc.) from
I ordered one of his
videos I think it is titled “Spey Casting Made Easy’ I’ll find the address and
pass it on to the group for anyone that is interested.
Server came by my
“Emergency Room Casting Clinic” and asked about the Steeple cast and
hovering …which I was glad to show him, but for anyone else that might be
interested I will describe below.
(All of this relates
back to my Masters test and my answer to How many Change of Direction Casts I
could name… I answered at least 12… of course having opened that door… the next
question was “Ok, Name Them!” I can still hear the crowd as I
did…and the ball went out of the Park!)
One of the casts I
described was the typical steeple … done by rotating the wrist and getting the
thumb under the upward cast similar to a Gallway but in an upward
direction…
The variation I added
came from Jason Borger’s book “The Nature of Fly Casting” on Circular casts and
what he calls the Wrist Flip.
This is done by making
a palm-up horizontal backcast and flipping the wrist up to throw the line above
your head … with practice it can be very vertical… thus allowing the forward
cast to be made in almost any direction.
The advantage is that
the wrist flip gets the line directly above the caster making a change of
direction and straight presentation cast much easier.
The typical Steeple
sends the line up but at an angle away from the caster, and thus may require
some body/arm twisting to get the backcast 180 degrees opposite from the
straight line forward presentation.
In reference to the
Hover I had problem with this in the beginning of my odyssey also… first I
learned to use a white fly and large enough to be able to see… a pea sized
yellow is too small.
Second a matter of
tracking and unrolling a tight loop more precisely. Then you have to focus on
the anticipated leader roll out area… good
power to a very firm stop is essential. Once you have your loops
under control it becomes a matter of focus and training your vision… in other
words you have to focus your mind and eyes to see it, then it is no big deal.
Also to clarify things,
you only get a momentary snapshot of the fly out there, and from there you
adjust your line length( and hover height) until you are satisfied that
the fly is over the target…
There is one additional
very important aspect of this accuracy … When you are false casting and hovering
to determine distance you will naturally stop you rod at a certain angle on the
forward cast… When you make your final presentation if you don’t stop at
the same point for example if you make your stop and then follow the line you
will be lowering the tip thus extending your length etc… stop higher for some
reason and you will be short … more or less power ??? Hover too high ??? I know
this seems extremely obvious, and it is now… but there was a time when it
wasn’t… for me anyway! (Hope I am not the only one!)
You must develop a
disciplined technique to be consistent.
The roll cast without
an anchor is an “active line roll cast” or a circular cast (elliptical) starting
with an under the tip backstroke… circle up to a roll forward, I use it
all the time both for practice and fishing, it is just easy repositioning. Of
course if you let it anchor, then you are into single hand spey and that is
another fascinating subject…
Hope that
helps!
Jim
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That Steeple cast also goes by the name of the, "Tower cast". This is described on pp.254 -255 of Jason Borger's, THE NATURE OF FLY CASTING. The accompanying drawing makes the back-and-up phase of the cast easy to see. I had never tried this before Jim taught it to me.