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  • Re: RE: Smoothness



    Jeff....

    Can't disagree with you.

    The, "dean" of effortless distance casting is Ed Joworowski.  Bob and I are having dinner with him, tonight.  We'll bring it up.

                                                                                     Gordy




     


    From: "JEFFERY BAREFOOT" <barefootj@xxxxxxx>
    To: <simbirsw@xxxxxxx>,<flysoup@xxxxxxxxxx>,<sobbobfish@xxxxxxx>,<rtab@xxxxxxx>,<CAPTPERMIT@xxxxxxx>,<creangler@xxxxxxxxxxxxxx>,<dwright@xxxxxxxxxxxx>,<daver@xxxxxxxxxx>,<dennisg@xxxxxxxxxxxx>,<captdoug@xxxxxxxxxxxxxxxxxxxxxx>,<dsprague01@xxxxxxxxxxx>,<ephemera@xxxxxxx>,<brushycreekfc@xxxxxxxxx>,<bradyir@xxxxxxxxxxxxx>,<flyfishar@xxxxxxxxxxx>,<ken.cole@xxxxxxxxxxxxx>,<captkirk@xxxxxxxxxxxxxxxxxx>,<glbaggett@xxxxxxxxx>,<mkreider1@xxxxxxx>,<martyt@xxxxxxxxxx>,<niallogan@xxxxxxxxxx>,<pminnick@xxxxxxxxxxxxx>,<bigfly@xxxxxxxxx>,<whorwood@xxxxxxxxx>,<flycasts@xxxxxxxxxxxxx>,<sheila@xxxxxxxxxx>,<scjacobs@xxxxxxxxxxxx>,<cooper@xxxxxxxxxxxxxxxxxx>,<tharper@xxxxxxxxxxx>,"Gordon Hill" <hillshead@xxxxxxx>
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    Subject: Re: RE: Smoothness
    Date: Tue, 7 Feb 2006 23:22:42 -0500

    Hi Folks,
     
            I'm sure we can all agree that "smoothness" is how effortless we can make any cast short or long.  What gave me some perspective is something that Mac Lord told me.  Effort should be relative to the length of the cast. A short cast should bend the rod only a little.  A long cast should bend the rod a lot.  It is the same and also relative of how much effort a cast demands from our anatomy.  A short cast, maybe only a little wrist action is needed.  A cast a little longer, now we need to start asking more from our anatomy, perhaps some elbow action.  The cast gets longer still, now add some shoulder.  Cast gets even longer, now torso and legs get involved.  I suppose the ultimate goal is to someday be able to make the long casts look effortless by using less of our anatomy and making the rod work [bend more] even harder.   But thinking "relative" makes sense.
     
    Jeff Barefoot 
    ----- Original Message -----
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    Sent: Tuesday, February 07, 2006 10:07 PM
    Subject: Re: RE: Smoothness

    Walter....

    You are correct.  A "good" loading move being one with uninterrupted acceleration with no spikes of power, and sufficientlly long.

    Also helps to have tip travel proportional to the amount of line carried.

    One quickie, "bandade-fix" for repetative tailing loops on the stream, is to simply have the caster lengthen the stroke.  While is doesn't provide an understanding of the problem, it works in the short run.

                                                                                             Gordy




     


    From: WALTER/SUE SIMBIRSKI <simbirsw@xxxxxxx>
    To: Gordon Hill <hillshead@xxxxxxx>
    Subject: Re: RE: Smoothness
    Date: Tue, 07 Feb 2006 13:13:51 -0700
    Gordy - I like the stick shift analogy. Even a hard core automatic
    driver like myself can relate to it.

    One thing I've found in my practice sessions is that if you have a good
    loading move it is very difficult to generate a tailing loop.

    Walter


    From: Gordon Hill <hillshead@xxxxxxx>
    To: simbirsw@xxxxxxx, flysoup@xxxxxxxxxx, sobbobfish@xxxxxxx, rtab@xxxxxxx, CAPTPERMIT@xxxxxxx, creangler@xxxxxxxxxxxxxx, dwright@xxxxxxxxxxxx, daver@xxxxxxxxxx, dennisg@xxxxxxxxxxxx, captdoug@xxxxxxxxxxxxxxxxxxxxxx, dsprague01@xxxxxxxxxxx, ephemera@xxxxxxx, brushycreekfc@xxxxxxxxx, barefootj@xxxxxxx, bradyir@xxxxxxxxxxxxx, flyfishar@xxxxxxxxxxx, ken.cole@xxxxxxxxxxxxx, captkirk@xxxxxxxxxxxxxxxxxx, glbaggett@xxxxxxxxx, mkreider1@xxxxxxx, martyt@xxxxxxxxxx, niallogan@xxxxxxxxxx, pminnick@xxxxxxxxxxxxx, bigfly@xxxxxxxxx, whorwood@xxxxxxxxx, flycasts@xxxxxxxxxxxxx, sheila@xxxxxxxxxx, scjacobs@xxxxxxxxxxxx, cooper@xxxxxxxxxxxxxxxxxx, tharper@xxxxxxxxxxx
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    Subject: RE: Smoothness
    Date: Mon, 06 Feb 2006 19:07:19 -0500

    Walter...

    I think your message including your bench-press analogy makes sense

    As you make a stroke, several muscles are involved.  Here, it isn't so much that different muscles take over as it is that there is a transition in the amount of involvement of one muscle group to another even if most of them are involved throughout the stroke.

    Another analogy I like to use is that of driving a stick shift car.  A really good driver can coordinate and control the combined use of the clutch and the accelerator so well that a passenger is hardly aware that shifting has occurred.

                                                                                                     Gordy




     


    From: WALTER/SUE SIMBIRSKI <simbirsw@xxxxxxx>
    To: Gordon Hill <hillshead@xxxxxxx>
    Subject: Smoothness
    Date: Mon, 06 Feb 2006 09:55:07 -0700
    Gordy - back to the results of the Sage casting analyzer.

    After my first trial I had made the comment that I expected slowing down
    my stroke would improve the smoothness of my stroke. I believe your response
    indicated that they were probably unrelated issues. The results of the second
    test show that bringing the speed down did improve my smoothness but certainly
    didn't bring it in line with the expert caster. If keeping score was important
    I have to concede that you were more right (significantly more) than I was. It
    makes sense now that I have a better understanding of how the smoothness score
    was/is calculated. During the stroke the smoothness score is calculated based
    on sudden changes in acceleration during the stroke. Slowing down the stroke
    will reduce the magnitude of these changes (improving the score somewhat) but
    they still occur so until one actually works specifically on improving smoothness
    it is unlikely to improve into an "ideal" range.

    Harkening back to days of previous athletic endeavours I am reminded of the
    concept of "sticking points" in weightlifting. A good example is the bench
    press - no matter how heavy the weight is you can almost always get it a few
    inches off of your chest. After that there is a zone where the lift is going
    to be made or broken because if you can push the weight up through that zone
    it becomes relatively easy to complete the lift and "lock out" (arm straight
    position) the weight. Given your background you would have a much better
    understanding of this than I do but the theory we used was that during the lift
    different muscle groups came into play and the transition between muscle
    groups was where the sticking points occurred. Part of training was to try
    and strengthen the muscles in the sticking points (limited movement exercises)
    and to reduce the sticking points (more explosion just before the sticking
    point so that inertia would help carry the weight through the sticking point).
    Seems to me that there is a similar analogy happening during the casting
    stroke and that the goal is to work on a smooth transition through the
    sticking points or, more accurately in this case, transitioning muscle groups.

    Cheers

    Walter