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  • Re: Well done !



    Good thought.  I'll do that.
    
    G.
    On Dec 16, 2011, at 11:19 AM, WALTER SIMBIRSKI wrote:
    
    > Gordy,
    >  
    > Feel free to pass it on. You may want to include something about Bruce's 6 step method as a similar algorithm.
    >  
    > Cheers!
    >  
    > Walter
    > 
    > ----- Original Message -----
    > From: Gordy <hillshead@xxxxxxxxxxx>
    > Date: Friday, December 16, 2011 6:57 am
    > Subject: Well done !
    > To: Walter Simbirski <simbirsw@xxxxxxx>
    > 
    > > Walter,
    > > 
    > > Yours is a great summation for this topic ..... and a 
    > > springboard to launch into other, more complicated "faults & 
    > > fixes".  It provides the instructor with a mental algorithm 
    > > which can be used for diagnosis and fault correction across the 
    > > board, as I see it.
    > > 
    > > WELL DONE!
    > > 
    > > I took the liberty of highlighting.  Let me know if this is 
    > > OK with you before I send it to the Group as the closure to our 
    > > present fault topic.
    > > 
    > > Best,
    > > 
    > > Gordy
    > > 
    > > 
    > > 
    > > [GH] Thoughts by Walter Simbirski, as he considers a method of 
    > > handling this and other casting faults, many of which may be a 
    > > lot more complicated than the one we've been dealing with. 
    > > Highlights are mine:
    > > 
    > > Gordy,
    > >  
    > > The answers to the casting fault diagnosis/correction are 
    > > interesting in that they all reflect thought processes that I 
    > > expect to see from instructors with some level of experience. 
    > > I'm curious how someone would instill this knowledge in someone 
    > > else who wants to be an instructor. I'm not sure if anyone else 
    > > is interested in this but I'll share my process and feel free to 
    > > critique from there:
    > >  
    > > 1. First determine if there is a fault. Is the student 
    > > experimenting for example? Am I looking at things from a bad 
    > > angle? If the line is hitting the ground there isn't much 
    > > question that there is an issue but it doesn't hurt to be sure 
    > > before spending time and effort on an issue.
    > >  
    > > 2. Eliminate equipment issues. The quickest way I know to 
    > > determine this is to try the equipment yourself. If I find any 
    > > potential issues with the equipment it's likely that a beginner 
    > > will have even bigger issues with the equipment. Also ensure 
    > > that the student hasn't exceeded the limitations of the 
    > > equipment or their skill level (e.g. trying to carry 80 feet of 
    > > line). If casting doesn't improve go to next step.
    > >  
    > > 3. Eliminate (if possible) environmental issues. Is there a tail 
    > > wind for example? Many beginners have a hard time with even a 
    > > slight tail wind. If casting doesn't improve go to next step.
    > >  
    > > 4. Determine if there is one fault (line hits ground) or 
    > > multiple faults (large loops and line hits ground). Identify all 
    > > of the faults you are seeing even if they seem minor.
    > >  
    > > 5. Consider all potential causes of the fault or faults - begin 
    > > with the 5 essentials, look at the stop, the 180 degree rule, 
    > > trajectory. What things are causing the fault(s)? Which is 
    > > causing the most problems? Does it make sense that the potential 
    > > cause of the fault can actually create the fault we are seeing? 
    > > For example - trajectory could explain why the line hits the 
    > > ground. Timing (pausing for much too long) could also result in 
    > > the line hitting the ground. Breaking the 180 degree rule could 
    > > explain this. Of all the things that could cause the line to hit 
    > > the ground which ones also result in large loops? Eliminate the 
    > > non-starters and concentrate on the realistic causes.
    > >  
    > > 6. Observe to see which of these things are actually happening 
    > > e.g. is the trajectory so low on the back cast that the student 
    > > can't avoid hitting the ground? Is the pause long enough to 
    > > cause significant line sag? Is the casting arc much too large? 
    > > What is the student doing to cause this? Look at wrist movement, 
    > > arm movement, shoulder movement, grip. Where is the rod 
    > > stopping? Is it a distinct stop or a mushy stop? You may want to 
    > > observe from more than one vantage point such as from the side 
    > > and from the front (make sure the caster isn't worried about 
    > > hitting you).
    > >  
    > > 7. Do your observations in 6 agree with your analysis in 5? 
    > > Based on your experience do you feel that you have identified 
    > > the fault(s) and cause(s)?
    > >  
    > > 8. If there are multiple issues decide which one or ones you 
    > > will address first.
    > >  
    > > 9. Suggest modifications for the student to try and observe the 
    > > effect. Was the student able to adapt? If not what other 
    > > modifications can you try? If the student made the desired 
    > > change did it have the desired effect?
    > >  
    > > 10. Have you dealt with all of the issues you want to for now or 
    > > do you want to student to practice the current modification a 
    > > bit first before making additional changes?
    > >  
    > > This is more or less the process I follow...
    > >  
    > > Thanks!
    > >  
    > > Walter
    > > 
    > >