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Spey classses / "D loop" / Spey-O-Rama
- Subject: Spey classses / "D loop" / Spey-O-Rama
- Date: Mon, 22 Mar 2010 11:28:43 -0400
Walter & Group...
New message from Gary Davison on his Spey
classes. I highlighted an important part of his
message. G. :
Gordy thanks for the information from Al
Some of the items provided will require research and learning on my
end. Which is always great.
Just wanted to make it clear regarding the reference to
very short pauses between stages of the water sustain anchor casts for
beginners.
Note: This tactic is not meant for implementation into the cast !
It would only be use to demo a casting sequence if
a beginner did not have the rod path down for the cast being made for
either the Double Spey Cast or Snap T or C as referenced by Al.
Intermediate or Advance casters definitely would not need this type of
instruction. As Al pointed out in the beginning of his message, most
casters would be intermediate level or higher when seeking instruction
for Single Handed Spey. But we all know what should be is
not always the case and we have to be prepared.
Continuous Tension is a must for the Spey Cast.
Per Rene's message, he mentioned the level of casting was not up to
intermediate level, which tells me some beginners or inexperienced
students were among the group he was teaching, so this would
change an instructors approach for some of the students in the
group. I was just adding this tactic for those teaching the beginner
level caster who wants to learn about Spey.
These tactics are used to inform or allow for a demo of that
casting sequence to beginners when needed no more.
All the best
Gary Davison
Gulf Coast
Spey
Gulf Coast
School of Fly Casting
Located on Lake Conroe:
Willis TX.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~`
Gary,
I, too, sometimes use "parts of whole casts"
followed by a pause when I need to dramatize one apect to make a
point.
Yesterday, I had a caster on my skiff who had
requested instruction. He was set up for a downwind cast to some tarpon
which were (rarely) presenting. The back wind was
strong. Despite the downwind presentation, he wasn't reaching
the needed distance. One reason was that he could make a single haul
on the forward stroke, but had a grossly mis-timed ineffective haul on the back
cast. That is where he needed it most as the set up for the forward
presentation.
Since he couldn't feel a load for his forward
cast, he used a spike of power on the delivery cast resulting in repeated tails
and leader knots.
First, I pointed out the problem. Then had
him make only cross wind horizontal plane back casts while using a haul with my
assist; then alone. We followed with the same thing done in the off
vertical rod plane. I eliminated the forward cast for him by making it and
then allowing him to concentrate on only the back cast with
haul.
We, then, did it with an into-the-wind back cast
..... haul and all.
Only after much repetition did I have him make
the entire cast .... with a decent double haul. Worked great. He
hooked 3 tarpon and landed one despite adverse conditions.
Gordy
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Rene Hesse in follow up to our discussions on
Spey classes :
Hello Gordy,
Bob Hansell was assisting in the spey
class that started this question of, ?what should I have done in this
situation?, and the following is
his first hand
response.
He makes several great
points, and really gets to the heart of the matter.
He and I will be doing
a casting class in Ga. at the Conclave and I can see we should
get together well in advance to really gel, and make it
a great
class.
Bob brings up several
times that I need to slow down, and also to practice slowing down?.I can see
that as very important and will work on that.
He brings in several other
great teaching points that I think we can all learn from. He said it would be okay to share it with
the group. Feel free to
Edit any of the small
talk we shared.
In another message Al
put out he spoke of the ?Figure of Eight? and the motion to get familiar with
the turning of the wrist as well as getting away from The straight line?I
really liked that.
Thank you for getting
every one to address this,
You guys are the
best,
Rene
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
COMMENT: I placed Bob Hansell's message along with this one
from Rene in an attachment. Simply scroll down below Rene's message to
access Bob's.
A great "de-briefing" !
G.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
D LOOP
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A question came up on one of our committee
deliberations. I don't have the answer. :-
Has the term "D LOOP" entered the
American fly casting literature as applied to the static back loop draped from
the rod tip or on the surface behind the caster who has made the set-up for a
standard roll cast (as distinct from back loops used for Spey casting )
?
I have not been able to find it in any of the
American texts which I reviewed, Except in discussions of Spey casting.
This suggests to me that the recent use of the term "D LOOP" for static roll
cast back loops, while perhaps a good one, may be the product of the recent
growing interest in eliptical casting including Spey casting in
America.
I wonder if Hans Gebetsroither used that or a
similar term when he described what bacame known as the "European continued
tension cast" ?
Is this term commonlly used now around the World
?
Should the term, "D LOOP" be reserved for dynamic
rather than static back loops ?
When was that term first used
?
Lastly, Do any of you use the term "D LOOP"
to apply to the static back cast formation of the standard (dead line) roll cast
as you teach ?
Perhaps some of you fly casting history buffs and
experts could help answer these questions.
Gordy
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SPEY-O-RAMA
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Al Buhr sent me Donna
O'Sullivan's message on the Spey-O-Rama. If you know any other
participants, please help by passing this along. :
Subject: Spey O Rama Sunday Restricted
Access
Important
Road Access
Information for Spey-O-Rama on sunday, april 11,
2010
****VERY IMPORTANT NOTICE TO ALL
PARTICPANTS FOR SPEY-O-RAMA ****
ROAD
CLOSURE OF JOHN F KENNEDY DRIVE IN GOLDEN GATE PARK ON SUNDAY APRIL
11,2010
9:00 AM - 2:00 PM
On Sunday April 11 JFK Drive will be closed to traffic
from 9:00AM to 2:00PM.
There will be no access by car into the
Golden Gate
Park during that
time.
For those arriving after 9:00AM there will be limited parking just
inside the park at 36th Ave. and Fulton.
Those who
have to leave before 2:00PM should park outside the
Park.
**************************************************
*****
It is unfortunate that the City of San Francisco will be closing the JFK Drive on Sunday for it's City Streets
program. We just found out about it.
I
would strongly recommend that all competitors, vendors, spectators get to the
casting ponds no later than 8:00am, just to be sure they can get in with their
cars/trucks.
Even though
JFK Drive is closed to traffice between
9:00am - 2:00pm, people can still walk in to the event.
Street
parking is available on Fulton and Lincoln, that border the park.
You can
park close to 36th Ave or 43rd Ave on those streets and walk
in.
Please tell anyone you know who will be going to Spey-O-Rama about
the road closure on Sunday.
On behalf of GGACC, we apologize
for any inconvenience due to the road closure and hope that you will plan to get
there early to watch the women and men's final competition on
Sunday.
Regards,
Donna
__________________
Donna
O'Sullivan
From:
Rene Hesse (GA) [RHesse@xxxxxxxxxxxxxx] Sent: Sunday, March 21, 2010
11:50 AM To: 'masterstudygroup@xxxxxxxxxxx' Subject: FW:Spey
class- assistants review
Hello Gordy,
Bob Hansell was assisting in the spey
class that started this question of, ‘what should I have done in this
situation’, and the following is
his first hand
response.
He makes several great
points, and really gets to the heart of the matter.
He and I will be doing
a casting class in Ga. at the Conclave and I can see we should
get together well in advance to really gel, and make it
a great
class.
Bob brings up several
times that I need to slow down, and also to practice slowing down….I can see
that as very important and will work on that.
He brings in several other
great teaching points that I think we can all learn from. He said it would be okay to share it with
the group. Feel free to
Edit any of the small
talk we shared.
In another message Al
put out he spoke of the ‘Figure of Eight’ and the motion to get familiar with
the turning of the wrist as well as getting away
from
The straight line…I
really liked that.
Thank you for getting
every one to address this,
You guys are the
best,
Rene
From: rjhesse
[mailto:rjhesse@xxxxxxxxxxxxx] Sent: Saturday, March 20, 2010 7:11
PM To: Rene Hesse
(GA) Subject: Fw:
Sunday
----- Forwarded Message
---- From: Bob Hansell
<rhansell@xxxxxxxxx> To:
rjhesse <rjhesse@xxxxxxxxxxxxx> Sent: Fri, March 19, 2010 8:33:27
AM Subject: Re:
Sunday
Rene, Sorry for the delay in my
response. Very busy work week that ended in a presentation to all the US
Bottler heads that went extremely well. Spent a lot of time energy and
emotion so I was completely absorbed,
I will
take the gloves off and tell you the good, the bad and the ugly for my
perspective.
First the good.
- You were prepared well and
gave a clear explanation of the class and how you were going to proceed.
- The location was good,
especially with the big puddle which gave each participant the chance to feel
and see the effects of "on the water" versus on the grass
- Your explanations of the "how
to". It is a strength of your teaching.
- Using the props. You
are the best in our group at this. It was just not the fish this time;
your use of props gives your students a better understanding of the fishing
situation
Improvement
opportunities:
- Slow down. You are a
gifted caster, but your motions are quick. Good for showing the effects
of the line or cast, but hard to see the technique. I was doing a lot of
hands on to give the students what it feels like because they could not see
your hands and other motions well. This was clear to me when you did the
circle back move. I think two things here would help you. First,
go out in the yard, do some casts, but only watch your hand; not the cast.
Then see how slow you can do the task. That should give you a new
perspective.
- Slow down. I could not
keep up with the casts while helping. I would work with someone on your
current topic. Before I could get to the next person, you moved on to a
new build on the topic or a new cast. Here is a thought to consider: Is
the class for you or is the class for the student? We all like to have an
agenda as teachers, but we all like to learn as students. My best
teachers and coaches helped me progress as opposed to telling me to keep up.
I must admit, most of my teach hours have been one on one and you can
hone in on a student better than a group of students. My impression was
you had a couple of students that get it and some that could not keep up.
When I worked with Peter and Bill on the AFFC 6 week casting clinics, we
did a task, split the group up by skill and divided to bring the students
along based on their skill and their pace. That is a drag on the agenda,
but more "student friendly" .
- Slow down. I have been
to four or five of your classes. You keep on time at each which is
impressive. But again, is it for you or the student? I have found
that 1 or 2 casting situations is the most you can effectively teach in 1
session, regardless of the skill level of the student. I did 4, 2 hour
lessons before I got the haul on a roll cast correct. Peter was
frustrated and so was I, but we finally got it by Peter using different teach
techniques. He demonstrated; I did not get it. He explained the
mechanics; I did not get it. He pantomimed: I did not get it.
Finally he did hands on: I got it! Again, this is a one on one
program, but you and I could of explored more learning styles during the
session. The real message here is change the agenda to the students ability to
get it and then move on.
The ugly: It was a cold
and windy day. Nothing you could do but you did make the most of
it. I wrote the above
with a central theme of slowing down. You are a good teacher and a very
good caster. A simple adjustment will elevate your level of teaching.
I would suggest you begin each class the way you do with the agenda.
Then add this simple question: "What would you like to get out of
this class?" If the answer is awareness, keep doing what you have on the
agenda. If the students tell you something different than your thinking
when you came to the class or want to focus on one objective; then adjust the
agenda. On Gordy's posts, there is a focus and rightly so, on the lesson
plan. But the plan is to get you prepared. The class moves with the
students ability to learn. There is an old saying: "God laughs at us
when we plan". Better teachers adjust their styles to the students.
Students do not adjust there learning to the teacher's
style.
Now the disclaimer: I am
a student of casting as well. This is just my perspective of last Sunday.
I will be glad to discuss any topics on casting and teaching with you if
you like. I would rate Sunday as A for the topic, A for the set up and C+
for the transfer of knowledge. I do not know if you agree. And,
finally, please know that I respect you as a fellow teacher and have a different
style. I know I can improve and I am open for suggestions. So please
tell me if you disagree with my messages so I can learn as well. I am a
firm believer in there is "no gain in the comfort zone". Feel free to
share this with anyone and know the spirit that I wrote this was as an
opportunity to open the dialogue so we both grow.
Thanks you,
Bob
|
From:
|
rjhesse
<rjhesse@xxxxxxxxxxxxx> |
|
To:
|
Bob
Hansell/US/NA/TCCC@TCCC |
|
Date:
|
03/16/2010 10:39
PM |
|
Subject:
|
Re:
Sunday |
Hi Bob,
Thanks again for being there for the casting session. If
you were not there the students would have really been at a loss. I
also like the fact that we can bounce ideas off eachother on how to improve.
You have a good eye for evaluating casts and making the guys feel
comfortable...I like your style. When I came away from the class
there was an inner struggle and I wanted to get your take on a few things. I
put a few of the questioins to Gordy and he asked to open the discussion to the
group...feel free to comment on the board but I'd really like to get more
specific critique from you. You saw the whole thing develope, the
conditions, students, instructor... I'll give my take and ask you to as
well (okay to take the gloves off). I am a student too. My
take- Advertised right, got wrong student body for the subject matter.
Staged
the students well with relation to water, voice/sound for instruction. (Was it
hard to hear the words?)
I learn by watching so I tried to keep 'showing' the cast with the audio.
Did the words match the action?
I didn't give enough of the 'why', 'when', and a lot
of 'how' to do it. (You spoke of on the water and that
was a good idea to give them the
true situation) I thought static would work better for the mechanics--debate?
When I had a student talking constantly- I jumped on him and asked him to do the
task I had just presented
- it shup him up but I kind of felt bad about that because
he had no clue.
Any methods you can think of to try next time?
When the
class was not doing well with the dynamic roll cast, I moved on to the switch
and that was worse as
could be expected. Then on and on with more just hopeing to get the
ideas accross. They were never going
to get all of it but might pick up on
something to try and focus on . Should I have just done a basic class?
Last, do
you think teaching one cast or two casts would keep a group interested for 2
hours? I like to watch others teach so I can say, 'I
like this, I don't like that, I would do this less or that more'. I learn
from it. If you can get time to share your observations I
would appreciate it, and again thanks for being there. Your
presence and assistance was really appreciated. Regards, Rene
From: Bob
Hansell <rhansell@xxxxxxxxx> To: Rene Hessee
<RJHesse@xxxxxxxxxxxxx> Sent: Fri, March 12, 2010 3:22:24
PM Subject:
Sunday
Do you need me on Sunday?
be glad to help or stay out of the way. Thanks, Bob
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NOTICE This message (including any attachments) contains information that may
be confidential. Unless you are the intended recipient (or authorized to
receive for the intended recipient), you may not read, print, retain, use, copy,
distribute or disclose to anyone the message or any information contained in the
message. If you have received the message in error, please advise the
sender by reply e-mail, and destroy all copies of the original message
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