Walter & Group...
Gary Kell responds to our comments on his "King Kong Teaching Challenge" (One brief comment by me in his text in italics:
Two methods that I have used to induce an upright stop :
1 - Have the student stop the rod in front of his or her nose .If
the rod does not stop in the upright position they will get a whack in
the head. After some muscle memory is induced , move the hand to the
normal more lateral position
2 - Stand behind the student and prevent the rod from arcing
backward with your hand .
Frank Harford
P S Does anyone have a sample liability release form ?
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Comments:
Frank has come up with two of many ways of handling the problem of the rod in improper position as the loop starts to form.
Let's augment his with other approaches from your "bags of tricks".
Liability release forms are percieved (and in some cases actual) protection for instructors. Our attorneys have told us that this protection is relative at best. The level of protection, we have been advised, depends on many factors among which are the laws which apply in various countries, states, provinces, etc.
The wording of such forms should be carefully drafted by knowledgable attorneys in the area of application.
Gordy
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Another solution from Gary Davison :
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Gordy,
I really like the method that Pete used with the demo regarding
loading of the rod associated with casting distance. I will use
this in my future teaching as well! Very nicely put.
Gordy having the privilege of learning and teaching with Al Crise, I
have learned the following:
I have found that teaching the stop in the horizontal
position out in front of the caster is the best way to demo the importance
of a good stop in loop formation., I like to have the student make
loops on both the back cast and the forward cast by holding the rod
(horizontal) straight in front of them, I like to have
them administer very short strokes with roughly 20 to 25' of
line. This gives the student plenty of control of the rod and
line, plus provides immediate visual feed back on their
loop formation. They can easily see everything that is happening
right in front of them. They can see the non loop, the wide loop,
and the narrow loop, as they improve the application of their
stops on both front and back cast.
This to me is the fastest way to have your student identify the
importance of stopping the rod to make a good
loop. Making a cast in the vertical position with a
student that does not know how to stop the rod, will not allow the
student to see what type of loop formation they have creating.
Plus make for a frustrating situation for the instructor. It
is very difficult to visualize the loop formation in that
position. Too much going on over head for the student. If
you the instructor have them watch the over head cast to watch the
loop, then you may have added another problem to the equation
which is bad tracking. Put it all out in front them, so they can see
what is happen with every movement or better yet non movement (the
stopping) of the rod.
Note: This also is the easiest way to get your students to
learn how to false cast at the same time. By slowly making forward
cast and then the back cast comfortably at their own pace
horizontally. When they feel up to it they can then slowly speed up
at their own pace. After a short while they will be
keeping the line in the air false casting making good loops on both the
forward and back cast at their own pace.
Once they have the line in the air false casting. Then they can
begin moving from horizontal to vertical position with
comfort and confidence. Hopefully your student will identify his or
her own style of casting in this process from horizontal to
vertical. They will find their casting comfort zone.
If they have a breakdown on the movement from horizontal to
vertical. Start the process over again until they master
the task, by making good loops in all the casting positions
from horizontal to vertical.
All the
best
Gary Davison
Gulf Coast
Spey
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Gary... Using the ground casting method over a line or
between two lines can not only help teach the STOP, but can give the
student the concept of when and where to make this stop in order to
: 1. Form a controlled loop, 2. Place
the unrolling loop and ultimately the fly on, near, or between the
lines. I first learned that method from Lefty Kreh years
ago.
Gordy |
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From Misako Ishimura :
Hi
Gordy,
I hope you had a
happy thanksgiving, too.
In the Trout
Classroom, we, Theodore Gordon Fly Fishers, taught children fly fishing, too.
Almost the same with David, except we add water ecology and environmental
issues surrounding of the fish. We hiked in the
When I teach fly
fishing and casting, I mention about some fly fishers are very keen to the
environmental issues. And I add sometime catch and release practice and
the fly fishing technique which you can hook the fish by the lip in fly fishing
so that you don?t harm deadly by not hooking its inside
throat.
At the beginning of
my casting lesson, I try to explain about the rod as a tool to cast line so that
the student will not move his or her rod hand as if shaping the line movement.
After explaining about the loading rod and the casting loop with rod tip
movements, I teach them first how to hold the rod, before assembling the rod.
I show my students
how little movement of your rod hand effects to the rod tip by squeezing my rod
hand. Then I ask them to hold the rod softly first. Sometime the student holds
the rod so tight even I told to hold it softly. Especially in this case, I ask
him or her to hold my finger as if holing the rod to perform ?squeeze? and
?release.?
Tight
lines,
Misako Ishimura
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Misako...
Good suggestions. This also speaks to one of several HANDS ON methods of teaching the casting stroke including the stroke .... or as you so well stated, "the squeeze and release". Another method which Steve White may consider to solve his problem.
Reminds me of Floyd Franke teaching the concept of "squeeze-to-a-stop".
Gordy
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TEACHING WITH THE CHALLENGE OF DYSLEXIA
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Jim Gill introduces the challenge of and some solutions to teaching when faced with dyslexic students :