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  • RE: Prior topics / Opinion / Reflections on "slide loading"



    Title: Message
    Walter....
     
    Thanks !
     
    Without coming up with the numbers as you did, it seemed to me that that is roughly the percentage increase in distance that I achieved when I added drag to my cast.
     
    Of course, there may have been other factors at work as I made those casts.  For example, the delay of rotation made possible by increased translation (drag) at the start of my cast, made it a little easier for me to form sharper loops.  Can't really quantify that.
     
    I would like to share this.... it's very informative !
     
    Gordy
    -----Original Message-----
    From: Walter Simbirski [mailto:simbirsw@xxxxxxx]
    Sent: Thursday, May 07, 2009 11:12 PM
    To: Gordon Hill
    Subject: Re: Prior topics / Opinion / Reflections on "slide loading"

    Gordy -
     
    If you feel anything I've said is useful then feel free to share.
     
    In the spirit of openness I should say that I believe I have had discussions about this with other members of the Glossary Committee.
    After I sent you the original message I decided to put together a spread sheet (I'll clean it up and send it on if you like) to do some
    quick and dirty calculations which I shared with another member of the committee in the following messages. I will let them know
    that I have also provided this information to you.
     
    Scenario 1 - distance cast in the Arden/Hartman style - i.e. lots of translation leading up to pure rotation:
     
    Okay - here's what I came up with:

    I made a few simplifying assumptions - This is a horizontal cast starting at a height of 4 meters and I am ignoring air resistance. I am also ignoring the increase in mass of the line as it is cast - just assume we have 5 lb mono for the running line.

    The time it takes for the line to fall to the ground from 4 meters is 0.89 seconds. So if our distance cast (without translation) is 33 meters (roughly 100 feet) the speed of the line would be 36.9 meters/second. Mass is constant so I will use m to denote that mass. The work done to accelerate the line from 0 to 36.9 m/s is 680.63m joules.

    If we say that we perform the same amount of work but start with an initial line velocity of 5 m/s, which is an amount of translation well within the ability of an average caster, then we start with an initial kinetic energy of 12.5m joules. When we add the 680.63mjoules accomplished through rotation we end up with a final kinetic energy value for the line of 693.13mjoules and a line speed of 37.33 m/s. With everything else remaining equal our final distance cast ends up being 33.3 meters or about a foot farther. If we start the rotation with line already traveling at 10 m/s (within the ability of distance casters like Arden or Hartman) the line velocity at launch is now 38.23 m/s resulting a distance cast of 34.19 m for an increase of 1.19 meters or about 3.9 feet.

    Percentage wise this isn't great - only 3.6% but any changes you make to the cast, eg. I cast with a slightly higher forward trajectory which means the line takes significantly longer to fall to the ground will increase this significantly. It's already enough to make a world of difference in a distance casting competition.
     
    Scenario 2 - a less extreme cast - 10 meters cast with translation happening during the rotation
     
    Okay - we just showed a distance cast with translation leading up to rotation (assuming translation stopped with start of rotation). Now let's look at a much less extreme case of a 10 meter cast. That means we need to have line speed of just over 11 m/s. What would happen if we added a very modest 1 m/s of translation speed throughout the rotation. This means two things happen - the first is that I only need to obtain 10 m/s from rod rotation. The second, and IMO more important is that I will have increased the straight line portion of my rod tip path by roughly 10%. I can apply 10% less force throughout this portion of the stroke and end up with the same line speed.
     
    Thanks Gordy,
     
    Walter
    ----- Original Message -----
    Sent: Thursday, May 07, 2009 3:07 PM
    Subject: RE: Prior topics / Opinion / Reflections on "slide loading"

    Walter...
     
    Well said.  I understand fully.
     
    I should have made it clear that my poling the Group is strictly to assist us on the Glossary Committee to finalize our definitions.  We are getting close to finishing the job.
     
    Our committee has agreed not to place our actual deliberations out there in Group discussions, etc. 
     
    You points are very clear and while I won't be publishing any of them, I'd like to share your thoughts with the Committee if you give permission.
     
    Thanks !
     
    Best,
     
    Gordy
    -----Original Message-----
    From: Walter Simbirski [mailto:simbirsw@xxxxxxx]
    Sent: Wednesday, May 06, 2009 4:18 PM
    To: Gordy Hill
    Subject: Re: Prior topics / Opinion / Reflections on "slide loading"

    Gordy - on the opinion thing (tough one!) - I'll start with the short answers but the explanations will
    be quite long (of necessity).
     
    1. No
    2. Yes
     
    Explanations:
     
    First let's define casting stroke since it is integral to both questions:
     
    Casting stroke - application of continuous force by the rod to the line such that a loop is formed.
     
    I know that we can cast a line without a rod but I've eliminated hand casting in my definition because it is a
    limited case and does nothing to help understand the casting stroke. I say continuous force because the
    casting stroke starts with the application of force in the direction of the cast and ends when no longer
    applied. This separates forward cast from back cast, for example, even if I move smoothly between the two
    because my component of force in the direction of the cast changes from a negative value to a positive value.
    At some time it passes through zero so this is not a continuous application of force. If we plot the force
    I apply on a graph as the Y component vs time as the X component the curve may be full of lumps and bumps
    but at no time does the Y component equal 0 during the casting stroke.
     
    There may be movements leading up to the point where force is applied but these are not part of the casting
    stroke.
     
    I think it's important that a loop is formed following the casting stroke. If a loop doesn't form then there
    was no cast and, hence, no casting stroke. We can debate the characteristics of any loop that did form
    but we know for sure that if no loop forms then we didn't have a casting stroke.
     
    1.) Do you think that CREEP should be considered within the casting stroke ?
     
    I'm going to say that creep is an unintentional motion of the rod that causes you to shorten your casting stroke. I will
    qualify that by saying creep is unpowered - starting the forward cast before your line fully unrolls on the back cast is therefore
    not creep because you are applying force. Since creep is unpowered it is also not part of the casting stroke.
     
    Creep can and does affect your casting stroke but it is not a part of the casting stroke. As instructors we need to
    be aware of the existence of creep and its affect on the cast but it is not part of the casting stroke.
     
    2.) Do you think that DRAG (translation of the rod without rotation) should be considered within the casting stroke ?
     
    For purposes of this discussion we won't include the haul.
     
    Let's lay the groundwork:
     
    Rotation - any movement of the rod that changes its orientation with respect to a fixed co-ordinate system.
    Translation - any movement of the rod that does not change its orientiation with respect to a fixed co-ordinate system.
     
    Can either one occur without the other? Absolutely. Can both occur simultaneously? Again - absolutely. Can they both
    provide a significant contribution to the casting stroke, i.e. aid in loop formation? Absolutely.
     
    We know that getting a loop to form requires us to get the line moving in a straight line at a certain velocity oriented in the
    direction of the cast. We do this during the casting stroke. We know that for the majority of casts we can achieve this
    with purely rotational movements. I'm going to look at this from two different scenarios:
     
    We know that the distance cast demonstrated by Hartman and Arden begins with significant translation and ends with
    almost pure rotation. The advantage here is that the velocity they achieve through translation contributes significantly to
    their final line speed and that contribution is significant. Think of it this way - if I want to accelerate my car from 0 to 60
    mph it takes a certain amount of force applied over a certain amount of distance (the classic work equation) but if I start
    out at 15 mph and apply the same amount of force over the same distance I will now be travelling significantly faster than
    60 mph. Line speed translates directly into distance so for these casters with their casting style translation is a necessary
    part of their casting stroke. It may only add a few feet to their final cast but there is no way they would achieve the same
    distance without the translation. I know it wasn't required for loop formation but I would say that the speed of the loop is
    a characteristic of the loop that should not be ignored in this case. 
     
    Now let's look at an everyday scenario. We know that some casters use a longer casting stroke than others to cast similar
    distances. How do they achieve a longer casting stroke with the same final line speed? After all - if their rod motion was purely
    rotational the longer casting stroke would be achieved through increased arc only and this would mean the path of the rod tip
    would change significantly leading to undesireable loops or loops that fail to fully unroll. The only way this is possible is to
    add a significant amount of translation to the stroke and the translation must be significant or we wouldn't be able to observe
    it when we see it. Is there a significant advantage to eliminating the translation? We know that using the work equation
    (W = F x d) they do the same amount of work regardless of the length of their casting stroke so in terms of efficiency
    there is no advantage of one style over the other. Did the translation directly create the loop in this case? No, but then neither
    did the rotation - all other things being equal if we take away the translation from the longer casting stroke the loop would
    fail to unroll completely. Is the use of translation to augment rotation in this case a casting fault? I don't see how. Would we,
    as instructors, tell the person with the longer cast to remove the translation? I don't see why I would do that. Since we have
    translation happening during the casting stroke in this case I don't see how we can't consider it as part of the casting stroke.
     
    I agree that we can't get much happening in the way of false casting or even a cast of any significant distance with pure
    translation but by saying drag is not (can not) be part of the casting stroke would be enforcing stylistic differences where
    no clear advantage exists and limiting our effectiveness as instructors.
     
    My very long winded Canadian 2 cents worth.
     
    Thanks!
     
    Walter
     
     
    ----- Original Message -----
    From: Gordy Hill
    Sent: Wednesday, May 06, 2009 11:16 AM
    Subject: Prior topics / Opinion / Reflections on "slide loading"

    Walter & Group....

    Tarpon have arrived !  (We have some all year round, but this is the start of their annual migration.)

                                                                                   SO

    I hope you understand, that I won't have as much time to spend with our Group Messages as I do most of the year.

    Had 2 CCI exams and one MCCI exam this week, and I have a Master pre-exam this morning.  THEN I'M OUT FOR POONS !

    Gordy

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                                                                                    "GOOD" LOOP

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    New word picture from Rene Hesse :

    Hello Gordy,
     
    An ideal loop is one that accomplishes the desired task most efficiently.
     
    PS- sorry about not answering a few of the questions on the last 'mend' quiz.  I often have to work on a quiz during down time at work and have very limited time and resources....It's kind of a paradox.
    I figure it is better to try than not.
     
    Thanks for everything,
    Rene
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    Rene...   I understand very well.  None of you should be reluctant to come in with answers or comments late after discussion of a particular topic.  We all have lives to lead.  This is why I never hesitate to share a good answer or message even if it is related to a past topic.
     
    Gordy
     
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                                                                                     OPINION
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
     
    This is NOT a quiz.  Simply reaching for opinions, as suggested by Bruce Richards.... one additional one from me :
     
    1.) Do you think that CREEP should be considered within the casting stroke ?
     
    2.) Do you think that DRAG (translation of the rod without rotation) should be considered within the casting stroke ?
     
    THINK before answering !
     
    Gordy
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
     
                                                                  REFLECTIONS ON SLIDE LOADING
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
     
    From Thomas Berggren:
     

    Hi Gordy,

    Notice that it would be the last string on”slide loading” but here is a reflection to Bruce Richards comments.

    ” I agree entirely. I suppose some could find slide loading (terribly name
    for the motion) "comfortable", I really don't see any possible physical
    advantages. They would be better off learning not to use this crutch. But
    as long as some advocate perceived advantages there will be those who try
    to adopt it.
    Interesting that the suggested advantages of smoothness (no
    explanation for why), and increased rod load (probably just the opposite is
    true) are very poorly explained, and there is a good reason!”

    First of all!
    I agree……. And my reflection is relative to the distance-casting-mega-trend here in Sweden right now.

    Last year there was a lot of focus on distance casting at my casting range and I had some quite good casters here to improve their distance.    

    Among those casters who reached 100 - 110 feet for start there was an easily visible slide among the “wide-open-stance-casters” and hardly any slide among the “closed-stance-casters”.
    I just removed the most of the slide and the “open stancers” improved more than the others. Not as smooth as they did from start, but a little bit longer casts.
    As I said “I removed the most of the slide” …….

    Still there was some slide/creep because they hold the line hand while rod hand stroke (for saving hauling distance to rotation position). And I notice that it was very difficult for most open stancers to reach the reel with line hand during up feed because of the body position, maximum rod arc and tip travelling distance (rod arm completely stretched in back before start the forward cast for maximum tip travelling distance).
    On the other hand it was very easy to reach the reel for the closed stancers (as they already did from start).

    The closed stancers couldn’t find much more line speed by their haul. For those we found the speed in the rotation, but still they casting smooth…….      

    The open stancers did find more line speed by improving their haul, but the casting was not as smooth as before. They actually missed “big time” more often because of body twist & bad tracking, but it went far when they hit it….

     

    So!

    If there is any right hand caster out there who God shaped with a much longer left arm. Go for distance competition, use wide open stance and no slide at all…. You will rule!

     

    Try it and feel the different between open & closed stance and visualize you have a very long linehand arm..

     

    Hope that make sense! Could be some language difficulties here….

     

    Regards// The Swede"

     

     

    Thomas Berggren, Certified Instructor
    FFF - Federation Of Fly Fishers,
    CCI - Certified Casting Instructor
    THCI - Two Handed Certified Instructor.

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    Thomas,   No language problems at all..... perfect description !

    Real food for thought.  Gets back to the idea of STYLE of casting.....  "different strokes for different folks ".
     
    Also makes it clear that the "slide" doesn't help everyone and may hurt some caster's performance.  We , must also consider that "sliding" may make casts a little easier and a trifle smoother for some casters who are not trying for distance.
     
    Gordy
     
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